Dispatches from Chaos: Cage the Elephant Discography Review

A Cage the Elephant “Discography” review

Written exclusively for the Culture Fusion Review Blog

by Sean M. Hebner

3 ½ whosawhatsits of 5

Cage the WHAT?!

So think of two genera’s that don’t really mix; for example, Post-Punk and Psychedelic rock. Then now that you’ve mixed them …put them is the SAME song. Am I referring to some obscure underground 70’s band or 80’s band? Nope. Now take the same band, and write a slide guitar driven pop rock song with folk/rap like delivery. Are you getting warmer? Believe it or not that song I just described you’ve heard if you listen to college radio. OHHH! I hear you say out loud! That SONG that was also in that hit videogame! What the HELL is the name of that band!?! Elephant…something? Sure is! Cage the Elephant is a rock band from Bowling Green, Kentucky and they cross pop genera’s as often as Queen would have; provided that Queen was primarily influenced by The Pixies and being locked in some cabins in the hills of Kentucky.

So if you go and look for what to even call this band as far as genera’s are concerned, you will find the internet hard pressed to find a consistent definition of their music. Let us state for the record that I consider them “indie-rock” and will leave it with that. The reason for this is that an indie-rock band can look like “The Lumineers” or “Muse” so the definition can even be stretched to “Slayer” if you squint a little. Especially when we touch on their second effort, it sounds quite different from their first and this is not a bad thing.

So let’s look at this first album. If Dr. Who were to be translated into music, First it would be the obvious “Caught somewhere in time” by Iron Maiden (my personal favorite maiden album for anyone who cares) second (to represent is SECOND HEART HAHAHAAHAH …ok) would be Cage the Elephant’s self-titled. They are in a constant state of temporal flux. Bouncing from one dead genera to another; sometimes in the same song.


*caught SOME WERE IN TIIIIMMMEEE! While there ain’t no rest for the wicked*

 They seriously will sound like The Pixies one minute then T rex the next; it’s both awesome and thought provoking at the same time.

I must say that I heard “Ain’t no rest for the wicked” on Borderlands and fell in love with the song. I find it funny how much that song fits the game with as tongue-in-cheek seriousness of the song. The game is far from serious but the tone of the song gives a great vibe with which to play the game.

I started on their second album so I was taken a back with how “normal” compared to the second this one is. But it’s by no means normal. Like I’ve been saying this whole review, it’s all over the map. But unlike its successor (which I’ll review next) is much more diverse.


(Here chew on this track)

Seriously listen to that…from post-punk to psychedelic!! This is a good solid album and I’d give it a higher arbitrary designation but it’s too accessible. Wow, I just realized they are following a similar arch to Mr. Bungle. I just hope they don’t fizzle out at three albums (which they are recording as of this review). There is a lot to love about this album. It starts off like a slow fused stick of dynamite and explodes. Ironically the first track “in one ear” addresses my complaints about the album and how little they care about reviews and complaints about their album.

Cage the Elephant’s self titled is NSFW so if you like this, AND YOU SHOULD LIKE THIS, you can’t play just anywhere. As I’ve mentioned in other reviews. Lyrics don’t make or break an album for me. I am a “practicing” Atheist and the lyrics to Cage the Elephant’s songs tend to have a Christian/ religious undertones. Those lyrics will give points with some and remove points from others. DON’T YOU FUCKING DARE! Cage the Elephant is TOO FUCKING GOOD to let a little thing like GOD get in the way. Not to mention that the references to faith are fairly well hidden unless you actually pay attention you won’t notice.

I wouldn’t really praise the lyrics of Cage the Elephant as clever so much as blunt. Going back to “in one ear” every lyric is a blunt stab at Haters. That trend continues well into the second album. My wife pointed out that “ain’t no rest for the wicked” was all clichés and some of lyrics to other songs are straight up stereo types. Effective is the best word I can think of to describe the lyrics of Cage the Elephant. Other than the previously mentioned GOD thing, the band probably doesn’t WANT to hide its meanings very much. In a generation of Ironic music, this is a legitimate breath of fresh air.

So over all, as far as first efforts go I’ll say this one is a winner. Every complaint I have about it is minor and overlookable based on the quality of the music and musicianship. I’m left with an overall good feeling and an entertained sense of being. Overall I recommend that you go out and buy this album. Unless your taste in music doesn’t allow for a chance at Cage the Elephant. Then in self-title’s case you aren’t missing THAT much. More on that next review.

Songs you should look up: James brown, Ain’t no rest for the wicked, the whole album

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About Culture Fusion Reviews

A multi-effort web review periodical of varied cultural landmarks curated by Eric Benac: freelance writer, journalist, artist, musician, comedian, and 30-ish fellow caught in and trying to make sense of the slipstream of reality.

One response to “Dispatches from Chaos: Cage the Elephant Discography Review”

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